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Ideonomy Artisian Artificial Artifact ![]()
~ ART MADE or TO BECOME sug> ARTICULATED
lit+ perhaps ART IS
THAT WHICH ADDS A QUIVER TO DEAD MATTER or
ply> | ARTS BUILD MEMORIALS TO BEAUTY |
myth> the ILIAD alludes to
CHARIS MARRYING HEPHAESTUS
as if to merge their properties of
CHARM and CRAFT to underscore
THE BEAUTY in ARTIFACTS and ART
note ART IS ORIGINAL
lit+ "IN ART REPETITION IS NOTHING" from
Jose ORTEGA y GASSET [#] pp 12 as cited below
lat ARS ARTIS = ARTS
ARTUS LIMBS as in ARTICULATED kw
ARX PEAK SUMMIT ARCH MAIN POINT
ARTIFEX CUNNING ARTIFICIAL CONTRIVED
ARTERIA ARTERY CONDUIT OF THINGS
ARTICULATIO JOINT TO JOINT
gr ARTUNEIN TO ARRANGE or sug> ARTICULATE
JOIN WITH SKILL sug> ARTISAN
sp ARTICULO ARTICLE sug> EXPRESS
ARTEFACTO ARTIFACT from sug> PRODUCT OF HUMAN SKILL
ART SKILL sug> APTITUDE FINESSE
FACTO PRODUCT sug> FACT FACTOR FACTORY
OFICIO TRADE PROFESSION sug> OFFICE OFFICIAL
ARTIFICIO ARTIFICIAL or sug> SKILL see
ARTIFICIAL NOT NATURAL sug> CULTIVATED or in
ARTIFICE ARTISAN sug> STATE STATUS
eng ARTIFACT MADE BY AN ARTIFICE
sp ARTESANO ARTISAN or MAKER OF ARTICLES
NOT CHARACTERIZED FOR ORIGINALITY
eng ARTISTIC BOTH ORIGINAL AND AN ARTIFACT
sp ARTESANIA POPULAR ARTS
ARTISTA ARTIST as in ARTISAN WITH ORIGINALITY
ply> | true ART and ARTISTS penetrate the MEMBRANES of MEMORY
and become MEMBERS or are REMEMBERED or COMMEMORATED
by MEMORIALS that MEMORIALIZE and
ARTICULATE their ARTISTIC ARTIFACTS |
note how MODERN ART DEPRECATES ITS LINK TO BEAUTY
note comments from ORTEGA y GASSET given below re
THE DEHUMANIZATION OF ART
hx> COMMUNISTS PROPOSED THE NEED TO THOROUGHLY DESTROY
"OLD" VALUES AND SOCIAL ORDER INCLUDING THE IDEA
UPHELD FOR MILLENNIA THAT ART IS LINKED TO BEAUTY
THE REVOLT BY "SCIENTIFIC" MATERIALISM PERMEATED
ARTISTS AND LED TO VARIOUS IDEOLOGIES OF ART
as in "NOUVEAU" ART
ATONIC MUSIC etc sug> HARMONY
note Isidora DUNCAN [#] WHO HOPED WHILE IN sug> VIBRATION
THE USSR TO REVOLUTIONIZE DANCE sug> ALTER
SOME FOUND HER INFLUENCE EITHER sug> RABID
REVOLUTIONARY OR REVOLTING sug> UGLY
note "MATERIALISTIC" or sug> MATTER
A MARXIST VIEW OF ART sug> ADVOCATE
INCLUDED PROPONENTS WHO WORKED TO sug> PATRON
"FREE" ART FROM BEAUTY sug> RADIANCE
as in CUBISM and other "ISMS" sug> LOVELESS
others held that ART IS MEANINGLESS sug> ABSTRACT
MANY "ADVANCED" or AVANT GARDE ARTISTS sug> PICASSO
however ART DID NOT PROSPER UNDER sug> FLOURISH
UNDER POPULIST under COMMUNISM nor FASCISM sug> INDICT
APPARENTLY POPULIST MOVEMENTS sug> PROLETARIAT
HAVE LITTLE TOLERANCE FOR ARTISTIC sug> AESTHETIC
INNOVATIONS or ABSTRACTIONS instead sug> CREATIVITY
MOST DICTATORSHIPS FAVOR "HEROIC" ART as in sug> CRUDE
LARGE MONUMENTS OF POPULAR FIGURES sug> BUST
id+ AN EARLY STEP IN ART IS TO ACQUIRE SKILL sug> PROFESSIONAL
as in ARTISAN ARTIFICE ARTIFACT sug> APTITUDE
ANOTHER ESSENTIAL INGREDIENT IS TALENT sug> GENIUS
THE ADMIXTURE OF SKILL AND TALENT MAY sug> PHENOMENON
METAMORPHOSE AN ARTISAN INTO AN ARTIST sug> GENESIS
note how SOME MODERN " ARTISTS " sug> MASTER
NEVER ACHIEVED ENOUGH SKILL sug> MUSTER
TO BE CONSIDERED ARTISANS sug> CRAFTSMAN
id+ | ART IS MAN MADE | sug> PHRASE
DECORATIVE ARTS POSE SOME QUESTIONS SINCE
IT MAY BE DEBATED IF ARRANGEMENTS OF NATURAL PRODUCTS
LIKE FLOWERS CAN BECOME "ARTISTIC"
FOR MOST ART CAN NOT BE A NATURAL PRODUCT
IT MUST REFLECT UNUSUAL CREATIVE SKILL
consider PHOTOGRAPHS see> IMAGE
a more conservative view is to reserve the word idea
"ARTISTIC" for those who possess the
SKILL OF AN ARTISAN as well as a
UNIQUE CREATIVE TALENT TO ELUCIDATE BEAUTY
another DILEMMA ARISES WHEN THE ARTIST IS NOT THE ARTISAN
as when the OBJECT ORIGINATES FROM INDEPENDENT FORCES
as in PHOTOGRAPHY or in DECORATIVE ARRANGEMENTS
note THE BASIS FOR THE SURVIVAL OF CLASSIC WORKS OF ART IS
THEIR INHERENT BEAUTY RESULTING FORM A UNIQUE MIXTURE
OF UNIQUE SKILL WITH A CREATIVE TALENT CAPABLE TO
CAPTURE THE IMAGINATION AND APPRECIATION OF FUTURE GENERATIONS
note ART IS ONE AVENUE FOR HUMANS TO TRANSCEND THEIR MORTALITY
THROUGH THE CARE AND VALUATION BY FUTURE GENERATIONS
WHICH HAVE THE OPTION TO DISPENSE or PRESERVE ARTISTIC WORKS
note " ARS LONGA VITA BREVIS " maxim
or ART IS LASTING LIFE IS BRIEF
in sp VIDA ES BREVE = BRIEF IS LIFE sug> BREVITY
sug> IMMORTAL IMMORTALITY ARTIFACT ARTIFICIAL ARTICLE
lit+ in "The Dehumanization of Art" by Jose ORTEGA y GASSET [#]
Doubleday Anchor Books 1952 the author argues that
"... TO THE MAJORITY OF PEOPLE
AESTHETIC PLEASURE MEANS A STATE OF MIND
WHICH IS ESSENTIALLY UNDISTINGUISHABLE FROM
THEIR ORDINARY BEHAVIOR ...
BUT AN OBJECT OF ART IS ARTISTIC
ONLY IN SO FAR AS IT IS NOT REAL ...
NOT MANY PEOPLE ARE CAPABLE OF ADJUSTING {their perceptions
to revel in the art and not to focus on the realism of the media}
NO WONDER THE 19th CENTURY {realistic} ART HAS BEEN SO POPULAR
... THE MODERN NEW STYLE CONTAINS
CERTAIN CLOSELY CONNECTED TENDENCIES {and} TENDS TO
DEHUMANIZE ART
AVOID LIVING FORMS
TO SEE TO IT THAT THE WORK OF ART IS NOTHING BUT A WORK OF ART
TO CONSIDER ART AS PLAY AND NOTHING ELSE
TO BE EXISTENTIALLY IRONICAL
TO REGARD ART AS A THING OF NO TRANSCENDING CONSEQUENCE ... "
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